Richard Gammon (he/him), a Filipino American stage director, directed Gluck’s L’île de Merlin and Ullmann’s Der Kaiser von Atlantis with Wolf Trap Opera; Gianni Schicchi and Michael Ching’s Buoso’s Ghost at Detroit Opera (formerly known as Michigan Opera Theatre); the world premieres of Family Style, Black Coffee, and Kandake as part of the OTSL New Works Collective 2025 with Opera Theatre of Saint Louis; Jack Perla’s An American Dream with Hawai’i Opera Theatre; Madama Butterfly and An American Dream with Virginia Opera; Albert Herring and Derrick Wang’s Scalia/Ginsburg with the Princeton Festival; An American Dream with Opera Santa Barbara; La Cenerentola with Opera Columbus; the American premiere of Scarlatti's Erminia at the Kennedy Center with Opera Lafayette; Ricky Ian Gordon’s Rappahannock County, Gareth Williams’ Rocking Horse Winner, Laura Kaminsky’s As One, and Philip Glass’ The Fall of the House of Usher with the Opera Maine Studio; Edwin Penhorwood Too Many Sopranos with Cedar Rapids Opera; Susannah with Charlottesville Opera; and Andy Monroe's The Life and Times of Joe Jefferson Benjamin Blow at NYC's Theatre 315 with the National Asian Artists Project. At the Kentucky Shakespeare Festival he directed Much Ado About Nothing after having previously directed a touring production of The Tempest; and for Cleveland Play House's film The CARE Monologue Project Richard directed monologues written by Rajiv Joseph, Lloyd Suh, Karen Zacarias, Tanya Saracho, and Matthew Lopez. He directed the world premiere of Jorge Sosa’s electronic opera The Lake at ArtSounds in Kansas City; Trouble in Tahiti with Paul Watkins at the Great Lakes Chamber Music Festival; HIoby’s Bon Apetit! And The Scarf with South Bend Lyric Opera, the workshop of J Ashley Miller’s pop opera Echosis with Atemporchestra; and was Associate Director for The Grapes of Wrath at Detroit Opera and Porgy and Bess with Greensboro Opera.
Richard is the director of the Opera Maine Studio Artist Program. Productions he directed there include Jack Perla's An American Dream; Mohammed Fairouz’s Sumeida’s Song; Jake Heggie's Three Decembers; Trouble in Tahiti; The Medium; and a site-specific production of Gianni Schicchi at SPACE Gallery. He is also the co-founder and director of Art with Arias, an annual collaborative recital series partnering artists from the Opera Maine Studio Artist Program with the Portland Museum of Art which have included artists such as Raehann Bryce-Davis, Zaray Rodriguez, Gloria Kim, Timothy Steele, and Andrew Pardini.
Richard works extensively with young artists at opera houses, YAPs, and at leading conservatories and universities. For Opera Theatre of Saint Louis' 2016, 2017, and 2018 seasons Richard co-directed Center Stage: a concert of opera scenes featuring the Gerdine Young Artists and Richard Gaddes Festival Artists with the St. Louis Symphony. Spending four years as the Stage Director for the Charlottesville Opera Young Artist Program he directed new productions of Il barbiere di Siviglia, Susannah, La bohème, and Gianni Schicchi. He was a Directing Fellow at Wolf Trap Opera directing the Wolf Trap Opera Studio in An Evening of One Act Operas: Hindemith’s Hin und züruck; Moore’s Gallantry; Barber’s A Hand of Bridge; Pasatieri’s La Divina; and Heggie’s Again. He also directed a warehouse production of La bohème at Work | Release with the Virginia Opera's Herndon Emerging Artist Program. He has been a Young Artist Director at Opera North, a Stage Director for Bay View Music Festival, and a Stage Director/Acting Coach in Greve in Chianti, Italy for Bel Canto in Tuscany. And he recently directed Elektra in Berlin, Germany at the Dramatic Voices Program Berlin.
Conservatory/University productions include: Perla’s An American Dream with Indiana University Jacobs School of Music; Perla’s An American Dream, Hindemith’s Sancta Susanna, and Rorem’s Three Sisters who are Not Sisters at the Manhattan School of Music; the world premiere of Jorge Sosa’s liturgical drama Tonantzin at the University of Missouri- Kansas City Conservatory of Music and Dance; Silent Night, La traviata, Sweeney Todd, La bohème, Così fan tutte, and Ward’s The Crucible (cancelled midway through the process due to COVID-19) with the University of Kentucky Opera Theatre; Sankaram’s Looking At You, Ward's Roman Fever, and Hilliard & Boresi's The Filthy Habit at Carnegie Mellon University; and he directed workshops of Ziyan Yang and Briana Whyte Harris’ Song of the Earth and Yoonhye Park and Trevor K. Band’s Manpa: Ten Thousand Waves with Actor’s Lab at NYU’s Tisch School of the Arts. And as Director of Opera at the University of Northern Iowa he directed Suor Angelica, Dido and Aeneas, Monteverdi’s Il combattimento di Tancredi e Clorinda, Considering Matthew Shepard, and the world premiere of The Beehive by celebrated composer and librettist team Jorge Sosa and Melisa Tien which he also commissioned and produced.
Other creative positions include Creative Associate for the world premiere of Dream’d in a dream with Seán Curran Company at BAM Next Wave Festival, an Artist Resident at Hewnoaks Artist Colony and the Institute for American Art, Resident Assistant Director at Opera Theatre of Saint Louis (2016-2018), and an Assistant Director at LA Opera, Opera Theatre of Saint Louis, Wolf Trap Opera, Detroit Opera, Palm Beach Opera, Fort Worth Opera, Virginia Opera, Lyric Opera of Kansas City, Charlottesville Opera, Opera North, and Opera Maine working on productions that include the world premieres of Jack Perla’s Shalimar, the Clown; Terence Blanchard’s Champion; Ricky Ian Gordon’s 27 and Rappahannock County; Jorge Martin’s Before Night Falls; and the American premieres of Unsuk Chin’s Alice in Wonderland; and Jacques Ibert’s Persée et Andromède.
Upcoming engagements include new productions of Carmen with Hawai’i Opera Theatre, Tosca in a collaboration with South Bend Symphony and South Bend Lyric Opera, and Gregory Spears’ Paul’s Case with Opera Maine Studio.
